Dance

Tanzanweisungen (It Won’t Be Like This Forever)

A show by Moritz Ostruschnjak
Germany | duration: 30’

2 shows for this event

With support of:
Consolato Generale della Repubblica Federale di Germania
NATIONALES PERFORMANCE NETZ International Guest Performance Fund for Dance, which is funded by Federal Government Commissioner for Culture and the Media

After-show conversation with the company on november 8th

IT WON’T BE LIKE THIS FOREVER – reads the sign displayed by choreographer Moritz Ostruschnjak as the dancer, Daniel Conant, performs a Schuhplattler, a traditional Bavarian and Tyrolean dance for men only. The solo Tanzanweisungen (literally: dance instructions) reflects the choreographer’s eclectic style, which is capable of moving from schuhplattler to grand jeté, from boxing moves to break dancing. Some common elements are the sound, the breath, and the leap, which fill the space with a constant rhythm. A sequence of different divergent ingredients that occur in a playful, provocative and irreverent dance.

Accessibility

Accessible for people with mobility impairments and wheelchair users
There are no toilet facilities
TW
Smoke on stage

Moritz Ostruschnjak developed his interest in contemporary dance through breakdancing. He studied at the Iwanson International School in Munich and completed his training with Maurice Béjart in Lausanne. He has been a freelance choreographer since 2013 and created the solo Island of Only Oneland and the ensemble pieces Text Neck, Boids, Unstern, and Autoplay. In 2022 he created Terminal Beach for Munich’s Utopia, and in 2023 he opened the Munich International Dance Festival with Rabbit Hole. In 2020 he was also awarded the Dance Prize of the City of Munich for his artistic work.

Coreography: Moritz Ostruschnjak

Choreography collaborator: Daniela Bendini

Dance: Daniel Conant

Dramaturg: Carmen Kovac

Lighting design: Benedikt Zehm

Costumes: Daniela Bendini, Moritz Ostruschnjak

Direction: Alexandra Schmidt

In tournée: Pascal Jung

PR: Simone Lutz

A production by Moritz Ostruschnjak

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