Fuoco Fauno

The project

Fuoco Fauno is a special project produced in a network between Gender Bender, Fondazione Piemonte dal Vivo / Lavanderia a Vapore, and Teatro Stabile dell'Umbria that explores and restages the figure of the FAUNE in dance, starting with its first appearance in 1912 with Vaclav Nižinsky’s Après-midi d’un faune. Today, the Faun is still an inexhaustible source of images with which we can examine our present: from issues related to identity and gender to the relationship between humans and animals, from our relationship with nature and the environment (which we are urgently called to reinvent) to the possible exchange between a classical repertoire and the experimentation of new artistic languages.

Network project

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The stages of the project

The three project partners have organized activities with the local communities, involving dance professionals and non-professionals in a workshop structured in different sessions.

 

Lavanderia a Vapore (Turin)

The work on the image of the Faun completed a first stage in April 2024. There were several sessions with dance schools, the Dance Well community, and a dialogue between Catalan choreographer Quim Bigas Bassart and local

companies.

The work was resumed on Oct. 12 and 13, 2024 inside the Gardens of the Royal Palace in Turin, as part of a project to valorize the Savoy Residences of which Piemonte dal Vivo is the lead partner.

Gender Bender (Bologna)

Gender Bender organized a choreographic composition and co-creation workshop curated by the Dewey Dell company together with 30 people from the Bologna community, composed of people with and without dance experience. At the end of the seven intensive sessions, held between September and October 2024, 2 performances of the final production open for the audience were organized at the preview event of the 22nd Gender Bender Festival.

Teatro Stabile dell’Umbria (Terni)

From October 2024 to December 2024, workshops and meetings on the theme of the Faun were organized at Caos in Terni aimed at the city community and with Dance Well dancers in Terni. The meetings were coordinated by choreographers Marta Bichisao, Teresa Rospetti, Emma Tramontana and choreographer Luca Guarino, with the collaboration of Mela Boev. 

A public presentation is scheduled for Jan. 4, 2025 at 8:45 p.m., at the Secci Theater in Terni.

CAUMA MERIDIE
The Bologna community project

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On Oct. 26 and 27, 2024, at the end of an intensive workshop, the Dewey Dell company, together with a group of 30 people with and without dance experience, staged a reinterpretation of the figure of Pan, recreating the physical, gestural and psychic complexity of this God of Instinct. We stand before an exposed body in the hour of the zenith. At that moment of meridian culmination, the highest point of natural power, of solar heat, Pan’s fury manifests itself by disseminating terror: he appears and unleashes the force of the vital and its opposite in a dizzying vertical line that crushes the shadow to the ground and makes it coincide with his own person. Pan lives in these extremes.

Dewey Dell is a dance company composed of Teodora Castellucci, Agata Castellucci, Vito Matera and musician Demetrio Castellucci. The choreographic research is inspired by images from art history, behaviors of the animal kingdom and anthropological themes. The works, presented nationally and internationally, are based on the fusion of different art forms.

Workshop Gallery

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Performance Gallery

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Discover the other the special projects

Portici Festival – Heritage meets Creativity

Portici Festival – Heritage meets Creativity

In 2023 the Gender Bender Festival invited the international company Igor x Moreno, Italian choreographer Daniele Ninarello and Dutch/German choreographer Patricia Carolin Mai to Bologna to produce three dance performances. The works were the result of an all-inclusive collaborative creation workshop project with three groups of people from Bologna and the surrounding area of all ages, with and without dance experience.

Crisol

Crisol

5 dance artists from 4 countries (Italy, Macao/Taipei, Kuala Lumpur, and Singapore) will work together to address topics related to gender issues through the language of contemporary dance. They will share their work and research, considering all of it as part of their personal background and cultural environment. The project consists of several work sessions across the different countries in which the dance artists will share their opinions and experiences. The project’s first stop will take place in Bologna as part of the 20th edition of the Gender Bender Festival.

Performing Gender – Dancing in your shoes

Performing Gender – Dancing in your shoes

Performing Gender strongly believes that gender, sexuality and LGBTQ+ identities can be explored through the language of dance, also thanks to the engagement of local communities. The second edition of the European project involved 225 people from their respective local communities in a comprehensive training process in the field of artistic production, that aims at putting the spotlight on the marginal voices of their communities. We wanted to highlight issues such as inequality, ethnicity, class, disability, environment and economy, with an intersectional perspective. 

Teatro Arcobaleno

Teatro Arcobaleno

Teatro Arcobaleno is a network project that has been using the languages of the performing arts to teach about diversity since 2014. Each year, this project offers workshops, theater and dance performances to children, teenagers, teachers, families, college students, educators, and social workers. Teatro Arcobaleno wants to make a contribution to building a society that is richer and more welcoming in human, social and cultural terms; a society in which diversity, particularly the one related to gender identities and sexual orientation, is recognized as an important value for everyone.

Swans Never Die

Swans Never Die

Swans Never Die is a project that invites 10 young choreographers to reinterpret, in a contemporary key, the classical repertoire of The Death of the Swan, originally choreographed by Michel Fokine for Anna Pavlova in 1905 and considered a seminal piece of art of the 20th-century dance history.