Swans Never Die

Rebecca Lena

Il progetto

Swans Never Die is a project that invites 10 young choreographers to reinterpret, in a contemporary key, the classical repertoire of The Death of the Swan, originally choreographed by Michel Fokine for Anna Pavlova in 1905 and considered a seminal piece of art of the 20th-century dance history.

Network Project

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What remains today of a choreographic work that is considered a milestone in the early twentieth-century history of western dance? In what kind of forms and bodies has it survived through time? Who picks up this heritage and why? In what cultural and geographical contexts can it re-emerge? How has it been transformed through the multiple reinterpretations that have been released in the course of a century? What is its influence in today’s choreographers and what values can it bring in the future?

Goals

This is a project shared and promoted by a network that has decided to unite ideas and work together. Between 2021 and 2022 it will offer joint programming ( live and online) that consists of performances, workshops, meetings, webinars and artistic residencies that invite the audience on a journey to rediscover a classic masterpiece through its contemporary reinterpretations. By following the stages of this journey between history and memory, the audience will be able to discover a choreographic work from the past and the many forms this dance has taken over time since it was first choreographed in 1905. 

Project partners

Piemonte Dal Vivo Foundation, APS Arcigay Il Cassero di Bologna, Municipality of Bassano del Grappa, Bolzano and Trento Haydn Foundation, Triennale Milano Teatro (CRT/Teatro dell’Arte Foundation), Brescia’s Teatro Grande Foundation, Department of Philosophy and Cultural Heritage – Ca’ Foscari University of Venice, Drama, Art and Music Studies (DAMS) – University of Turin.

 

The projects

 

Peso Piuma

by and with: Silvia Gribaudi
music: Nicola Ratti
coproduction: Associazione Culturale Zebra

 

Swaën

choreography, dance: Camilla Monga

music: Filippo Vignato, Emanuele Maniscalco

lightning design, scenography: Camilla Monga

tec: Walter Ballini

co-production Associazione Culturale VAN 

 

L’Animale

by: Chiara Bersani

with: Veronica Tulli scena,

light: Valeria Foti

with the collaboration of: Richard Gargiulo, Sergio Seghettini

vocal drammaturgy: Francesca Della Monica

drammaturgy assistant: Giulia Traversi

creation assistant: Marco D’Agostin, Elena Giannotti

promotion, cura: Giulia Traversi

creative support Federica Della Pozza

logistics and organization: Eleonora Cavallo

administration: Chiara Fava

 

Open Drift

choreography, light and costumes: Philippe Kratz

performer: Antonio Tafuni, Nagga Baldina

music: Borderline Order  

 

La morte del cigno

by: Marius Petipa

with: Virna Toppi

 

Living like I know I’m gonna die

by Collettivo MINE

concept, choreography and performance: Francesco Saverio Cavaliere, Fabio Novembrini, Siro Guglielmi, Roberta Racis, Silvia Sisto

sound: F. De Isabella

styling: Ettore Lombardi

photos and video: Tonia Laterza

 

Peso Piuma – collective

by: Silvia Gribaudi

with: Lisa Mariani, Nadja Guesewell, Viola Scaglione, Luca Tomasoni, Flavio Ferruzzi – Balletto Teatro di Torino

 

Momento

a project by: Stefano Mazzotta

with: Stefano Mazzotta, Amina Amici – Zerogrammi

 

What I am is already gone – Per corpo affaticato

by: Daniele Ninarello – Codeduomo

with: Ornella Brero

esternal eye: Francesca Dibiase

 

Bright Feathers

concept and choreography: Raphael Bianco

with: Fabio Cavaleri, Vincenzo Criniti, Cristian Magurano – Egribiancodanza

Performances Workshops Meetings Webinar

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