DNAppunti
coreografici

The project

DNAppunti coreografici is a project, whose purpose is to support young choreographers under 35 years old. The project involves several stages in which the participant will do their research and start their creation process: they will collect their ideas, examine the results of their research, and participate in creative residencies. The initiative stems from a collaborative work throughout Italy between a network of partners. Thanks to the DNAppunti call, the work of a young artist is selected, supported and produced every year.

Network Project

On the project

DNAppunti coreografici is a project, whose purpose is to support young Italian choreographers. The project consists of several stages of research and creation: the participants will collect their ideas, examine the results 

Goals

The goal of the initiative is to choose a young Italian choreographer, who will be given the chance to develop their idea by pursuing a research project in which they will receive various forms of support: touring creative residencies, financial resources and visibility.

Partners

DNAppunti coreografici is promoted and supported in collaboration between the Gender Bender Festival,  the National Production Center of Florence –  Virgilio Sieni’s company, Operaestate Festival / CSC Center for the Contemporary Scene of the Municipality of Bassano del Grappa, L’arboreto – Dimora Theatre of  Mondaino, Romaeuropa Foundation and Triennale Milano Teatro. 

 

Find out more about our special projects

Portici Festival – Heritage meets Creativity

Portici Festival – Heritage meets Creativity

In 2023 the Gender Bender Festival invited the international company Igor x Moreno, Italian choreographer Daniele Ninarello and Dutch/German choreographer Patricia Carolin Mai to Bologna to produce three dance performances. The works were the result of an all-inclusive collaborative creation workshop project with three groups of people from Bologna and the surrounding area of all ages, with and without dance experience.

Crisol

Crisol

5 dance artists from 4 countries (Italy, Macao/Taipei, Kuala Lumpur, and Singapore) will work together to address topics related to gender issues through the language of contemporary dance. They will share their work and research, considering all of it as part of their personal background and cultural environment. The project consists of several work sessions across the different countries in which the dance artists will share their opinions and experiences. The project’s first stop will take place in Bologna as part of the 20th edition of the Gender Bender Festival.

Performing Gender – Dancing in your shoes

Performing Gender – Dancing in your shoes

Performing Gender strongly believes that gender, sexuality and LGBTQ+ identities can be explored through the language of dance, also thanks to the engagement of local communities. The second edition of the European project involved 225 people from their respective local communities in a comprehensive training process in the field of artistic production, that aims at putting the spotlight on the marginal voices of their communities. We wanted to highlight issues such as inequality, ethnicity, class, disability, environment and economy, with an intersectional perspective. 

Teatro Arcobaleno

Teatro Arcobaleno

Teatro Arcobaleno is a network project that has been using the languages of the performing arts to teach about diversity since 2014. Each year, this project offers workshops, theater and dance performances to children, teenagers, teachers, families, college students, educators, and social workers. Teatro Arcobaleno wants to make a contribution to building a society that is richer and more welcoming in human, social and cultural terms; a society in which diversity, particularly the one related to gender identities and sexual orientation, is recognized as an important value for everyone.

Swans Never Die

Swans Never Die

Swans Never Die is a project that invites 10 young choreographers to reinterpret, in a contemporary key, the classical repertoire of The Death of the Swan, originally choreographed by Michel Fokine for Anna Pavlova in 1905 and considered a seminal piece of art of the 20th-century dance history.